Contemporary pop culture intertwines with the timeless allure of ancient Egypt. Superstar Beyoncé is depicted as Queen Nefertiti, gracing the same space as ancient busts, while Rihanna embodies Egyptian styles in a mesmerizing video.
Among the artifacts is what appears to be a pharaoh’s golden mask, but upon closer inspection, it is revealed to be a modern sculpture inspired by rapper Nas’ album cover. Step into a world where the past meets the present, offering a unique and visually stunning experience.
According to mastermedia.com, the “Kemet” exhibition at Leiden’s Rijksmuseum van Oudheden (National Museum of Antiquities) has enraged Egypt, which has reportedly banned the museum’s archaeologists from a dig at a key site.
Egypt’s antiquities service said the museum is “falsifying history” with its “Afrocentric” approach, which seeks to appropriate Egyptian culture, Dutch media reported.
READ: News: Africa excited as M-Net debuts Beyonce’s film, Black Is King
The museum said it had meanwhile been hit with comments on social media that were “racist or offensive in nature” after the row blew up in Egypt.
And so what was meant to be an empowering celebration of “Egypt in hip-hop, jazz, soul and funk” has instead become a culture war.
Assistant Professor University of Amsterdam, specialist in political geography with a regional focus on the Middle East and North Africa analyzes the reactions: ” From what I can see it has been sort of viewed in a very particular light by the government back in Egypt.”
“I think it’s, it’s important for us to, as you say to kind of move away from this more Eurocentric perspective through which Egypt’s history has been viewed,” Dr Ali Hamdan added.
The exhibition explores music by black artists including record album covers, photographs and contemporary artworks.
There are walls of album covers showing the influence of ancient Egypt on artists including Tina Turner, Earth Wind and Fire and Miles Davis, and a special interactive video installation.
Egyptian authorities denounce a desire to assimilate their historical heritage with US black culture.
“It’s not only about kind of African Americans taking Egyptian culture, it’s about a very wealthy commercial project that is to say Hollywood and other kind of related industries doing that,” the Dr. says.
“So the perception is that there are these wealthy Hollywood elites who are kind of taking advantage of Egyptian culture and kind of rewriting how they view their own identity right. So there are a lot of layers to this I think that are worth keeping in mind.”
The museums has insisted it aims to “show what scientific, Egyptological research can tell about ancient Egypt and Nubia.” As it also aims to works are presented “to show and understand the depiction of ancient Egypt and the messages in music by black artists.”
The curator of the exhibition, Daniel Soliman, is an egyptologist.
Much has been written about the controversy.
Museum director Wim Weijland was quoted by the Dutch newspaper NRC as saying that Egypt’s reaction was “unseemly”.
Daniel Voshart who works in art/film, visited the exhibition. He praised its “informative overview” and said the reaction to the exhibition was overblown.
“This doesn’t make any sense to me and they’re just sort of being too sensitive or trying to score political points maybe… Nothing to me was shocking,” said the 37,-year-old from Canada.
“There were music videos that were already made and it’s not like the Dutch government paid Beyoncé to become you know, Egyptian.”
“There are paintings of Egyptians with dark, dark skin, curly hair, I mean it’s if, if they’re trying sort of to distinguish themselves from other parts of Africa, maybe a bit too much, but it was a blending of cultures, a blending of people. I don’t think you know it’s theft anyway.”
“Complicated relationship”
The Kemet exhibition is named after an ancient name of Egypt meaning “the black land”.
As it opened in late April it appeared to walk into a already-brewing in Egypt over a Netflix docudrama about Cleopatra.
Egyptian pundits and officials were up in arms in April after Netflix streamed a production depicting the ancient queen as black, and insisted she had lighter skin.
The Rijksmuseum’s musical showcase was subsequently hit by similar criticisms of rewriting history.
Egyptian authorities then banned the museum’s archaeologists from the necropolis at Saqqara, south of Cairo, NRC said.
Staff at the museum were shocked as they have been active for nearly five decades at the vast burial site, a UNESCO World Heritage site, and are currently leading an excavation there.
“It’s not just a story about whether the museum is getting the Egyptian identity right or wrong,” Ali Hamdan, an assistant professor at the University of Amsterdam specialising in political geography, told AFP.
“This is a story about two different projects to make sense of Ancient Egypt. One is a… cultural project by this museum, and another is a political project by the Egyptian state.”
Hamdan added that “your average Egyptian would describe themselves as Arab first maybe Egyptian second”, while their relationship with Africa was “complicated”.
Egyptian Tourism and Antquities authorities could not be reached for comment.
